It's easier to say. Tricks with money

simpler total predictor.
Assessing a situation as not requiring much effort is very simple.

Efremova's Explanatory Dictionary
  • simpler

    adverb, number of synonyms: 5 easier 7 don't ask yourself 3 simpler 3 calm down 14 elementary 1

  • forgive

    Goodbye, forgive, etc. see simple.

    Dahl's Explanatory Dictionary
  • forgive

    Forgive, say goodbye, forgive, forgive. bud. time. from forgive, to say goodbye.

    Ushakov's Explanatory Dictionary
  • not easier

    orph.
    not simpler

  • not easier

    not simpler adv. are. quality
    Being the same (like anyone else or anything else

    Efremova's Explanatory Dictionary
  • simpler

    Forg / e, ref. Art. (from idle, simple).

  • simpler

    see simple 1, simple.

    Small academic dictionary
  • simpler

    SIMPLER.
    1.comp. to adj. simple1 in 1, 2, 4 and 5 The new machine system is much simpler.
    2.comp. to adverb simply. He looked at the case simpler.

    Ushakov's Explanatory Dictionary
  • forgive

    "forgiveness of sins", "miraculous healing", Old Russian. forgive- the same (I Sof. Letop., 1 Pskov. Letop.). From * prosti̯a "deliverance" from * рrоstъ, see simple.

    Etymological Dictionary of Max Vasmer
  • simpler

    SIMPLER see 1. Simple and Simple.

    Explanatory dictionary Kuznetsov
  • nothing is easier

    adj., number of synonyms: 4 what's the matter? 4 easy 181 nothing is easier 4 costs nothing 13

    Dictionary of synonyms of the Russian language
  • say goodbye

    Say goodbye? (to push through? to open up?) eagle. make a mistake.

    Dahl's Explanatory Dictionary
  • made easier

    adj., number of synonyms: 1 simple 1

    Dictionary of synonyms of the Russian language
  • getting easier

    adj., number of synonyms: 1 simple 2

    Dictionary of synonyms of the Russian language
  • easier than others Dictionary of synonyms of the Russian language
  • easier than before

    app., number of synonyms: 1 simplified 27

    Dictionary of synonyms of the Russian language
  • it couldn't be easier

    no question 14 no problem 11 just 106 simpler nowhere 17 simpler steamed turnip 26 simpler

    Dictionary of synonyms of the Russian language
  • couldn't be easier

    lightness 6 lighter than easy 17 just 106 simpler doesn’t happen 18 simpler steamed turnip 26 simpler simple 24 times to spit 30 elementary 63

    Dictionary of synonyms of the Russian language
  • keep it simple

    adverb, number of synonyms: 9 throw it 25 throw it out of my head 14 score it 17 score it 13 forget it 25 never mind! 16 don't bother 18 don't worry 18 don't worry 22

    Dictionary of synonyms of the Russian language
  • as easy as pie

    left 13 a pair of trifles 8 just 106 simpler doesn’t happen 18 simpler nowhere 17 simpler steamed turnip 26 eyes closed 26 elementary 63

    Dictionary of synonyms of the Russian language
  • Keep it simple

    And people will reach out to you
    (or people themselves will reach out to you)
    iron. know your place, don't come out.

    Explanatory dictionary of Russian argo
  • gone without saying goodbye

    adj., number of synonyms: 1 left in English 1

    Dictionary of synonyms of the Russian language
  • easier than a steamed turnip

    Familiar. Very simple. Explaining the method of preparing salt, Petin said: - It's so simple! Right here simpler steamed turnip! (Yu. Krymov. Engineer).

    Phraseological dictionary Fedorov
  • easier than a steamed turnip

    lighter than easy 17 not focus 6 not a piece 6 obvious 95 trivial matter 28 transparent 24 simple 106 simpler doesn’t happen 18 simpler nowhere 17 simpler simple 24 times spit 30 times sneeze 7 elementary 63 elementary

    Dictionary of synonyms of the Russian language
  • simplified

    U / goodbye/ enn / th; cr. f. and at / goodbye/ en /, y / goodbye/ en / á; cr. f. adj. at / goodbye/ en /, y / goodbye/ yonn / a.

    Morphemic-spelling dictionary
  • Keep it simple - and the people will reach for you (to you)

    The appeal simpler to look at things in life, not to complicate the situation for no apparent reason.

    Dictionary of folk phraseology
  • Laterally

    Simpler say sideways.

    Physical anthropology
  • oversimplification

    U / goodbye/ en / h / est / o.

    Morphemic-spelling dictionary
  • to simplify

    O/ goodbye/ а́ / t (Xia).

    Morphemic-spelling dictionary
  • Correlatedness

    Simpler to say the relationship, the interdependence of signs.

    Physical anthropology
  • goodbye

    orph.
    goodbye ( saying goodbye)

    Spelling dictionary Lopatin
  • simplify

    U / goodbye/ а́ / t (Xia).

    Morphemic-spelling dictionary
  • Farewell)

    Forgive/ а́ / d (those).

    Morphemic-spelling dictionary
  • saying goodbye)

    Forgive/ а́ / t (Xia).

    Morphemic-spelling dictionary
  • forgiven

    FORGIVEN, forgiven, forgiven; forgiven forgiven, forgiven... and suffering. last time. from forgive in 1 and 2 · mean.

    Ushakov's Explanatory Dictionary
  • indulgence

    INDULGENCE f. lat. forgiveness given by the Pope, absolution of past sins, and sometimes future sins; our Uniates called it easier; get forgive.

    Dahl's Explanatory Dictionary
  • simplification

    O/ goodbye/ en / st / o.

  • All the manipulations with the cards described above require lengthy training. While you are achieving the automatism of the performance, you can master a few simple tricks based on certain patterns unknown to the audience or requiring special, but not complex preparation of the deck.

    For example, you can teach the audience to perform card tricks, but whether it succeeds or not will depend on your desire.

    This interesting trick is done with a picket deck of cards, that is, up to seven is included. It often happens that the audience is asked to teach them how to do some kind of trick. The magician announces that he is ready to do it with pleasure, but in order to do tricks, knowledge alone is not enough, one must also have magical powers. “I’ll show you the most ordinary and easy trick,” he says, and begins to lay the cards face down on the table, hardly four at a time. When all the cards are laid out, he collects them again, shuffles them, gives them to be removed and puts them on the table on the donoy, in four piles, face down. When all the cards are laid out, he asks to turn them over. It turns out that all the worms are in one pile, clubs in another, and so on. After mixing the deck, he invites the audience to try to decompose the same way. Hardly anyone will succeed in this soon, but if there is such an astute person, then the magician, giving him the opportunity to repeat the trick several times, says: "Fine, you are very perceptive, and I would be scared to show you a trick, but you forget that I said that one skill is not enough. I have so far helped you with all my magical power, but without my help you are unlikely to succeed. " The viewer who guessed the secret will certainly not believe that, no matter how hard he tries now, the trick will no longer come out until the magician wants the same. But that is exactly what happens. First of all, the audience will doubt whether the magician has hidden any cards, but the cards have been counted and everything turned out to be present, but the trick still fails.

    The whole secret of this trick lies in the fact that it comes out only when the deck lacks four cards of different suits, that is, with a deck of twenty-eight cards. With a whole deck, nothing comes of it. The magician, starting to show trick, first hides four cards; and when the audience discovered the secret, or when he himself explained it and they learned how to lay out well, he again reports the taken four cards, and the trick no longer succeeds. It would never even occur to anyone to count the cards while the trick succeeds, and when it doesn’t come out, it’s too late to count, since all the cards are in place.

    This trick is very easy to do. It seems that the cards are laid out without any preparation, but in reality the following is observed: the four cards of the first row can be anything you like, only of different suits. The second row begins with a suit card that ends the first row; the second card must be of the same suit as the first card of the first row; the third card of the second row is like the second of the first; the fourth is like the third of the first row. The third row begins with the suit that starts the second row and so on. For example, if the first row was:

    Simply put / say

    introductory expression and clause members

    1. Introductory expression. It is distinguished by punctuation marks, usually commas. For details on punctuation for introductory words, see Appendix 2. ()

    Sleight of hand or, easier to say, focus ... A. Nekrasov, The Adventures of Captain Vrungel. So Chick was right when he said he hadn't tasted real buffalo yogurt, or, in other words, sour milk. F. Iskander, Chik honors customs.

    2. Members of the proposal. No punctuation marks required.

    It would be incomparable easier to say to her: if so, if you have by all means swore an oath of silence - let us sit down again in the fiacre, I will take you home and goodbye! D. Grigorovich, Not good for good - good for good.


    Punctuation Dictionary. - M .: Reference and information Internet portal GRAMOTA.RU. V. V. Svintsov, V. M. Pakhomov, I. V. Filatova. 2010 .

    See what "simply put / say" is in other dictionaries:

      TO TELL- say, say, owl. 1. Sov. to speak in 2 and 5 digits. "I'm used to telling the truth always and in front of everyone," he said proudly. L. Tolstoy. "What scoundrel is this who told you that I am an old man?" Chekhov. “Tell me that you have stopped loving me, that everything between us ... ... Ushakov's Explanatory Dictionary

      TO TELL- TO SAY, I will say, you will say; said; sover. 1. see talk. 2.say, input. Expresses an assumption (colloquial). Well go, let's say tomorrow. 3. say (those), int. Expresses surprise, say (those) please (colloquial). Tell me what a fine fellow! 4. say! ... ... Ozhegov's Explanatory Dictionary

      easier to say- see simply; in zn. input sl. In other words, directly. It was a draft of the article, or, more simply, the first drafts for it ... Dictionary of many expressions

      to tell- I will say, you will say; said; zan, ah, oh; St. 1. (nsv. Speak). (what). Verbally express thoughts, opinions, communicate (orally or in writing); pronounce. S. your opinion. S. the truth. S. stupidity, another commonplace. I have nothing more to do with. C. speech; (colloquial) ... encyclopedic Dictionary

      Correlation coefficient- (Correlation coefficient) The correlation coefficient is a statistical indicator of the dependence of two random variables. Determination of the correlation coefficient, types of correlation coefficients, properties of the correlation coefficient, calculation and application ... ... Investor encyclopedia

      Financial Pyramide- (Financial Pyramid) A financial pyramid is a monetary structure that accumulates funds by constantly attracting new investors. Financial pyramid: a list of financial pyramids, combating financial pyramids, financial ... ... Investor encyclopedia

      Indicator- (Indicator) An indicator is an information system, substance, device, device that displays changes in a parameter. Indicators of forex market charts, what are they and where can they be downloaded? Description of the MACD indicators, ... ... Investor encyclopedia

      Investor- (Investor) An investor is a person or organization that invests capital for the purpose of making a profit. Definition of the concept of an investor, a private, qualified and institutional investor, peculiarities of the investor's work, well-known investors, ... ... Investor encyclopedia

      HEART- HEART. Contents: I. Comparative Anatomy ........... 162 II. Anatomy and Histology ........... 167 III. Comparative physiology .......... 183 IV. Physiology ................... 188 V. Pathophysiology ................ 207 VІ. Physiology, pat. ... ... Great medical encyclopedia

      Sovereignty- (Sovereignty) Sovereignty is the independence of the state from other countries The sovereignty of Russia and its problems, the sovereignty of Ukraine, the sovereignty of the Republic of Belarus, the sovereignty of Kazakhstan, the sovereignty of Chechnya, Problems of the sovereignty of European countries, ... ... Investor encyclopedia

    Do you believe in magic? Even if you are not, there are a couple of simple tricks you can use to make others believe that you are a real wizard! There are certain skills required to successfully perform magic tricks, but if you practice, you can put on a real show!

    Steps

    Part 1

    Put on a show

      Be confident when performing tricks. People are more likely to believe a person who is confident than someone who is unsure of themselves, especially when it comes to magic. Even if your trick isn't the most interesting, a little self-confidence never hurts.

      • Good magicians are mesmerizing. It just takes a little sleight of hand and a proven technique to fool the audience. If you smile and hypnotize them with your presence, they will be less careful about your hands.
    1. Start with simple tricks. Learn to do simple magic tricks first, and then practice more complex ones. Here are a couple of simple tricks:

      • Performing magic tricks with sleight of hand.
      • Pushing the rod in is a simple and trivial trick that will make your friends laugh and hoot.
      • The disappearance of a quarter is one of the basic magic tricks, and one of those that every aspiring illusionist should be able to perform.
    2. Engage your viewers. If you pay attention to the audience, they will be happy with any tricks. They will start worrying about what to say instead of thinking about what you say and do. Classic fraud. Here are a couple of tips to get you started:

      • Always try to read the thoughts of the audience.
      • Involve your friend in the trick, making it as light as a feather - it will be fun.
      • Cold reading will make viewers believe that you are a magician.
    3. Use props. Don't be afraid to use tools - the scarier the better. Spectators should sit on the edges of the chairs. Props will help you put on a real show and distract the audience. All this is done in order to divert their attention from what you are doing. Try:

      • Make a box of magic tools.
      • Bend the spoon.
      • Connect two paper clips so that they do not touch.
      • Make a magic wand like Harry Potter.
    4. Use your body. A good magician is always completely immersed in his work during a performance. Don't be afraid to take risks! With your hand full, you can do some really stunning physical tricks:

      • Breaking free from the straitjacket will make the audience hold their breath.
      • The levitation will also surprise and overwhelm the audience.
    5. Remember that people come to magic shows to be amazed. Don't be afraid to use flash flashes or artificial fog.

      • Let the smoke pass through your fingers.
      • Fire in hand is a great special effect that will make your audience shudder.
      • Light a candle without touching the wick - outwardly it will seem that you did it in a magical way.

      Part 2

      Perform a simple card trick

      Pick up several cards to perform the trick. You will need to turn away from the audience for a second to pull the trick. Take a deck of cards and shuffle them so that the ace of diamonds is on top of the deck - about the fifth in the deck. Draw 8 or 9 cards.

      • Submit an ace of diamonds under the second card so that it is not visible. The cards must be on the same line, otherwise the trick will fail.
      • Turn the ace of hearts upside down and take the cards in two hands so that they form a kind of card semicircle. The card in the middle (ace of hearts) should now replace the ace of diamonds.
      • Or you can tell them something else. Do the trick in a way that suits you. If you say that you will turn these cards into a rabbit, go for it. By the end of the trick, they will understand why you said it.
    6. Ask a volunteer from the audience to examine your hands. Ask him to verify what cards you have. If you performed the trick correctly, the cards will be on top of the ace of diamonds. Then ask the volunteer to return to their seat.

    7. Ask someone to "memorize the map." This is part of your "mind reading" and, again, is needed to do another trick. Ask the volunteer to think longer so that you can get into his thoughts.

      • If you decide to complicate the task, ask him to try to memorize a few cards from your deck. You will be able to see what cards he has in mind (which is very impressive); while he remembers, you can also direct your forces in other directions - for example, turning into a rabbit, and so on.
    8. Keep the cards in hand and pretend that you are confused. Examine the cards in your hands as if you were “thinking about the value of the card” and say something went wrong. As you say this, calmly move the cards so that the ace of hearts is in sight. Do not shuffle the cards too often, otherwise the audience may suspect something.

      • Ask the audience if they have memorized all the cards in your hand. They will start listing them. When it comes to ace, say something like, "Exactly, that's what I was thinking." Then show the audience the other hand with hearts, and not with an ace of diamonds. Wow - has he changed?
      • At the same time, make sure that real the ace of diamonds is still under the second card in your hand. They shouldn't see him yet.
    9. Put on a mini-performance with the "kidnapping" of the ace of diamonds. Which of your viewers tried to screw up your stunt? Accuse someone (of course, in a friendly way) of stealing the card and demand that it be returned. When the person replies that they have nothing to do with this, say that you will return it anyway. By using of magic.

      • At this point in the trick, it's important to be confident and humorous. The bigger your performance is, during which you distract the audience's attention from the cards, the more successful you will be at your trick. Viewers want to have fun and don't expect real magic from you.
    10. As if by magic, take the ace of diamonds in your hand. It all depends on you. You can sing over the cards, make the audience dance a gig, or just tap the deck a couple of times so that the card is on top. Tell the audience that you are controlling the cards and they will do whatever you tell them.

      • Then, after you've done what it takes to draw the card, flip it over. You can also ask a skeptical viewer to do this. Ta-da-m ... there ... there ... It is a pity that now you do not have enough strength to turn the cards into a rabbit. Well, nothing, some other time.

      Part 3

      Perform coin trick
      1. Take a coin, explaining to the audience that you are going to rub it into your skin. You have low iron in your blood and your doctor said this is not a bad idea. Viewers don't believe you? Just watch.

        • It is best to do this trick while sitting at a table where no one is in your way. And the audience should sit opposite. If they sit with you, they may notice that it's all about sleight of hand.
      2. Place one hand under your chin and keep the other ready to rub a coin into your elbow. It doesn't matter which hand you hold the coin in. Place your second elbow on the table, clenching your hand into a fist and placing it under the chin.

        • It is important to sit this way for a successful trick. You will soon see why.
      3. Start rubbing in and "accidentally" drop the coin. Start rubbing the coin into the elbow that is on the table. Rub in, rub in, rub in. Then, oops! When everyone is already carried away by the process, the coin falls on the table. It's okay - keep rubbing.

        • At this stage, try to be as natural as possible. If you are false, people will understand that this is by design. They must think that this is a real oversight.
      4. Move the coin to your other hand. When you take a coin, you have two options:

        • Take a coin with both hands as if you were transferring it to your main hand. In fact, you will skillfully hide it in the hand that props your chin.
        • Take a coin with your main hand, and then discreetly toss it under the table into the hand that you hold under it. Then raise your hand to transfer the coin to your other hand.
      5. Continue to rub. Continue to do the trick by rubbing a non-existent coin into your elbow. Rub in, rub in, rub in. Oh, you can feel her disappearing! A couple more movements. Just a little bit more and ... ta-da-m! The coin is rubbed under your skin. You're better now. Where did the coin go? You have already told this to the audience - they want to know the answer, but they cannot return the coin. Hee hee.

        • Can you return the coin? HM. Well, maybe. You are terribly tired rubbing it under your skin. Magic is so exhausting - the audience just doesn't understand it.
      6. Retrieve the disappeared coin! If the opportunity arises, you can perform the second part of the focus (or stop there - it's up to you). Tell the audience that after all the agony, you still haven't managed to rub a coin into your elbow. Place a coin between your fingers with your non-main hand. Then select one of the spectators and remove the coin from his hair, from the collar of his shirt, or from his ear. Perhaps he also has supernatural powers?

        • When asked how you did it, don't tell me! Otherwise, you will no longer be able to show them this trick (and possibly their friends). Good magician never does not share his secrets.

    Well, when the passions subsided, the reason for such a solemn meeting became clear. They had a winter race there that day, and we did not think, did not guess, but it turned out that we won first place.

    Chapter XXI, in which Admiral Kusaki himself helps Vrungel to extricate himself from a very difficult situation

    For three days we stayed in the Yukon, rested ourselves, gave the animals a rest. We, as guests, were given complete freedom, only they took an agreement that we would not leave the house anywhere, and for the sake of loyalty, two detectives were placed at the porch. Well, then we harnessed our sleds and set off. Yukon flew by an arrow, got out into the Bering Strait and headed straight for Chukotka. We drove well to the island of Lawrence, but here we got a delay. A storm arose, broke the ice floes, and we were stuck in front of the crack as if aground.

    We set up an ice camp under a hummock. We are waiting for the ice to melt. So it would be okay, we have nowhere to rush, and the food is safe: on the way we stocked up on pemmican, fish, frozen hazel grouses. Well, again, and milk from the cow. In a word, they would not have died of hunger, but they had a hard time with the cold. We sit, huddled together, trembling. Fuchs especially suffered: his beard was frozen, all covered in icicles, the guy whines, complains. The scrap is also holding on with the last bit of strength ...

    Well, I see that we need to invent something. I sit thinking about different heating methods. Firewood, coal, kerosene - all this does not suit us ... Well, I remembered: once I was in a circus, there one hypnotist was boiling water with a gaze.

    That would, I think, so to me! My will is mighty, iron will. Why not try it? I stared at the ice floe - it doesn't boil, it doesn't even melt ... Well, I realized that all this is nonsense, deception, just a circus act. Sleight of hand, or, more simply, a trick ... And as soon as I remembered this word, a brilliant idea arose in the convolutions of my brain.

    I grabbed an ax, chose a suitable block of ice, marked out, processed accordingly and returned to our camp.

    Come on, comrades, help me set the focus.

    The crowbar rose, grumbles:

    I am surprised at you, Christopher Bonifatievich: it’s just right to turn into an icicle, and you’re still having fun with tricks.

    Fuchs also murmurs:

    Hocus pocus! In the Red Sea, I swam in my panties, and it was hot, but then I put on three pairs, I still can't get warm. This is a trick, so a trick!

    Well, I shouted at them:

    Leave inappropriate conversations aside! Listen to the command! Raise this piece of ice! Keep it up! Five degrees to the left. More to the left ...

    And so, you know, they lifted the creation of my hands, a huge ice lens, aimed a beam of rays on the ice, we looked - it drills like a radish, only the steam whistles. They brought it to the kettle - it boiled instantly, even the lid flew up. This is how the cold was overpowered. We live. They began to get used to it, settled down so that they did not want to leave. We feed the wolf with pemmican, and the cow with hay. Themselves, too, are full, we are not starving. And then the ice came together.

    We harnessed our trotters for the last time and rushed off on a direct course to Petropavlovsk.

    Arrived, landed. They introduced themselves to the local authorities. Well, I must say, they received us great. Here, you know, they followed our campaign in the newspapers, they were worried lately, and when I told who we were, we, as relatives, were treated kindly: fed, looked after, led to the guests. We loosened the cow, handed it over to the collective farm according to the act, the wolf cub was presented to the children for the school for a living corner ... But what to tell ... A century would be to stay there, and that is not enough.